Alessandra de Norões Milfont lives and works in Curitiba. Since 2012, she has exhibited her work in public and private institutions and events in Curitiba, São Paulo, Rio de Janeiro, Pontal de Maceió (CE), and Helmshore (UK).
Career
The artist began her career in fashion illustration — digital drawing, watercolor, ink, and other techniques — which led to solo exhibitions, participation in group shows, and several awards. She illustrated a print book on fashion and had her work selected for four consecutive years to appear in the e-book of the Fashion Revolution Forum, a nonprofit movement advocating for a less aggressive, more transparent fashion industry, held simultaneously across capitals around the world.
Since 2016, Milfont has been immersed in the current Technological Revolution, with research centered on the development of Artificial Intelligence and futurist essays on its social, cultural, philosophical, political, and economic implications. Her current body of work grows out of this deepening curiosity about new technologies and their consequences, restlessly questioning what comes next as these technologies gain consciousness.
In 2021, she wrote the Robotisme Manifesto, published by the Brazilian Book Chamber and inspired by Marinetti's Futurist Manifesto.
Language and Technique
A self-taught painter, Milfont has chosen a visual language that contrasts futuristic subject matter with the age-old technique of oil painting with natural solvents. Most of her works are executed using the centuries-old alla prima ("wet-on-wet") technique, resulting in bold, intense, expressive brushwork and dreamlike imagery with softly blurred contours that evoke the sensation of watching a dream unfold. Strong contrast and exuberant, meticulously chosen colors run through much of her work — provocative images that raise questions about the exponential development of Artificial Intelligence and its relationship to humankind.
Conceptual Axes
Milfont's work does not illustrate technology but philosophizes about it: her paintings function as futurist essays on the social, cultural, political, and economic implications of Artificial Intelligence. In this light, Robotisme emerges as an authorial movement — a theoretical proposition of her own, historically anchored in Futurism yet oriented toward the idea of an artificial consciousness taking shape. This reflection also runs through her technical choices: the handmade quality of her painting — the oil, the natural solvents, the alla prima technique — acts as a deliberate counterpoint to the era's most advanced subject matter, turning the act of painting itself into a slow form of resistance against technological acceleration.
CURRICULUM
AWARDS AND RECOGNITION
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2023
2023 Selected Artist for Group Exhibition "Fashion Revolution: How to be a Fashion Revolutionary" | British Textile Biennial | Helmshore Mills Textile Museum | United Kingdom
Selected Artist for Group Exhibition/Catalog | Fashion Revolution Forum | Unibes Cultural | São Paulo | Brazil
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2022
Selected Artist for Group Exhibition/Catalog | Fashion Revolution Forum | Unibes Cultural | São Paulo | Brazil
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2021
Selected Artist for Collaborative Exhibition on Brazilian Fashion Culture | Fashion Revolution Forum | Digital Exhibition
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2019
Selected Artist for the Fashion Revolution Forum Catalog (2nd Edition) | Unibes Cultural | São Paulo | Brazil
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2015
Gold Medal | Contemporary Art Salon | Brazilian Society of Fine Arts | Rio de Janeiro | Brazil Silver Palette | 50th
Women's Art Salon | Brazilian Society of Fine Arts | Rio de Janeiro | Brazil
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2013
Finalist | Paraná Creating Fashion Contest | Paraná Fashion Talents | SINDIVEST | Maringá | Brazil
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2012
Finalist | Paraná Creating Fashion Contest | Paraná Fashion Talents | SINDIVEST | Maringá | Brazil
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SOLO EXHIBITIONS
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2023
ROBOTISME: Milfont’s Futuristic Vision | Âmbar Curitiba | Curitiba | Brazil
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2019
Lendas de Pontal | Pontal de Maceió Residents' Association (AMPM) | Pontal de Maceió | Ceará | Brazil
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2018
Lendas de Pontal | A Caiçara | Pontal de Maceió | Ceará | Brazil
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2017
Rock Ones | La Mi Nor | Curitiba | Brazil
Rock Ones | Jack n Beats | Curitiba | Brazil
Bowie Rules | La Mi Nor | Curitiba | Brazil
From Kate Until Moss | La Mi Nor | Curitiba, Brazil
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2016
From Kate Until Moss | Curitiba Metropolitan Art Museum (MuMA) | Curitiba | Brazil
From Kate Until Moss | Novo Louvre | Pátio Batel Mall | Curitiba | Brazil
Mural | Coletivo Amor de Madre | São Paulo | Brazil
Bowie Rules | TechGrooves and Radiola Records | Curitiba | Brazil
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2015
From Kate Until Moss | Techgrooves | Curitiba | Brazil
From Kate Until Moss | Alquimia and Garage | Curitiba | Brazil
From Kate Until Moss | Mezanino das Artes | Curitiba | Brazil
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GROUP EXHIBITIONS
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2023
“Fashion Revolution: How to be a Fashion Revolutionary” | British Textile Biennial | Helmshore Mills Textile Museum | UK
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2023
Fashion Revolution Forum | Unibes Cultural | São Paulo
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2022
Fashion Revolution Forum | Unibes Cultural | São Paulo
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2021
Brazilian Fashion Culture | Fashion Revolution | Virtual Exhibition
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2020
27th Pontal Arte | Pontal de Maceió | Fortim Municipal Government | Ceará | Brazil
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2019
2nd Fashion Revolution Forum | Unibes Cultural | São Paulo | Brazil
Figure | Gibiteca de Curitiba | Solar do Barão Cultural Center | Curitiba | Brazil
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2018
26th Pontal Arte | Pontal de Maceió | Fortim Municipal Government | Ceará | Brazil
Civil War | Gibiteca de Curitiba | Palladium Shopping Mall | Curitiba | Brazil
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2016
The Avengers | Curitiba Comic Book Library (Gibiteca de Curitiba) | Palladium Shopping Mall | Curitiba | Brazil
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2015
Contemporary Art Salon | Gold Medal Award | Brazilian Society of Fine Arts | Rio de Janeiro | Brazil
50th Women's Art Salon | Silver Medal Award | Brazilian Society of Fine Arts | Rio de Janeiro | Brazil
Traços Curitibanos I | Curitiba Metropolitan Art Museum (MuMA) | Curitiba | Brazil
Traços Curitibanos I | Palladium Shopping Mall | Curitiba | Brazil
UTFPR Persistent Illustration Studio | Federal University of Technology – Paraná | Curitiba | Brazil
Alquimia Artists | Alquimia | Curitiba | Brazil
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2014
UTFPR Persistent Illustration Studio | Federal University of Technology – Paraná | Curitiba | Brazil
UTFPR Persistent Illustration Studio | Mezanino das Artes | Curitiba | Brazil
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2012
Digital Art Exhibition | SESC | Paço da Liberdade | Curitiba | Brazil
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PUBLICATIONS
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2023 IIllustration
Fashion Revolution Forum E-book, 5th Edition/2023. São Paulo, Brazil; Fashion Revolution; various authors
https://issuu.com/fashionrevolution/docs/fr-forum-2023_simples
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2022 Illustration
Fashion Revolution Forum E-book, 4th Edition/2022. São Paulo, Brazil, Fashion Revolution, various authors
https://issuu.com/fashionrevolution/docs/ebook-forum-2022
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2021 Manifesto
Robotisme Manifesto _ Neo-Futurist _ Curitiba, Brazilian Book Chamber
https://www.milfont.art/manifesto-robotisme-neo-futurista?lang=en
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2019 Illustration
Fashion Revolution Forum E-book (2nd Edition/2019), São Paulo, Brazil, Fashion Revolution, various authors
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2016 Illustration
Arte do Vestuário: arte e técnica do vestuário em Santa Catarina, Astrid Façanha, ISBN - 978-85-93364-00-6
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PERFORMANCE
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2015
Live Painting | Alquimia | Curitiba | Brazil
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EDUCATION
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Technical Course in Systems Development | SENAI-PR (National Service for Industrial Training) | In progress
Postgraduate Studies | Specialization in Artificial Intelligence | Federal University of Technology – Paraná (UTFPR) | 2026
Postgraduate Studies | Strategic Fashion Management | Faculdades da Indústria (FIEP/SENAI - Federation of Industries of the State of Paraná / National Service for Industrial Training) | 2017
Technical Course in Fashion Design | TECPUC (PUC-PR) | 2013
Technological Degree in Graphic Arts | Federal University of Technology – Paraná (UTFPR) | 2011
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LANGUAGES
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Portuguese | Native
English | Advanced
French | Intermediate
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